St. Hovhannes Mkrtich (St. Sargis) church of Meghri
Name: Meghri fortress/Surb Hovhannes basilica
Monument type: Church- Monastic Complex
Region: Syunik Province
Periods: Medieval
Name: St. Hovhannes Mkrtich (St. Sargis) church of Meghri
Other nomination: Church of Poqr Tagh
Monument type: Church
Region: Syunik
Community: Meghri
Residence: Meghri town
Location: It is located in Pokr Tagh, Meghri, with a commanding position. The monument can be reached by stairs built between densely built residential houses.
Preservation: The church has been completely restored.
Coordinates: 38°53’46.21″ N 46°14’32.35″ E
Altitude: 660 m
Era and chronology: The monastery dates back to the Late Middle Ages, XVII century.
Meghri church and Fortress: A Treasure of Armenian Art and History
As you stand at the entrance of the St. Hovhannes Mkrtich (St. Sargis) Church of Meghri, a sense of awe washes over you. The centuries unfold before your eyes, and you can almost hear the whispers of history echoing through the hallowed halls.
This remarkable church, nestled within the community of Meghri in the Syunik region of Armenia, is a treasure trove of art, faith, and enduring tradition. Nearby, the Meghri Fortress stands as a sentinel, its unique design guarding the memory of past battles and victories.
Get ready to embark on a journey through time and history, as you explore these captivating sites and unravel the tales they hold. Here in Meghri, the past comes to life and you can’t help but feel a part of it all.
Located in the town of Mghri, in the Syunik region in Armenia, the St. Hovhannes Mkrtich Church, affectionately known as the Church of Poqr Tagh, transports visitors back to the Late Middle Ages, specifically to the 17th century. This sacred site, with its commanding position atop the Meghri landscape, has been meticulously restored, breathing life into its storied history.
Meghri Church: A Canvas of Frescoes
The church’s architectural design is a testament to the craftsmanship of its era. It follows the style of three-nave basilicas that were prevalent in Armenia during the Late Middle Ages. The rectangular hall of the church is divided into three naves by two pairs of T-shaped gables, lending it an air of grandeur and symmetry. Adjacent to the semi-circular altar, two-story vaulted chambers stand as silent witnesses to centuries of worship.
The most striking feature, however, is the 6-column brick belfry that crowns the church. Rising from the roof, it adds an element of dimensionality and visual intrigue to the structure, which is primarily constructed from semi-finished basalt.
Stepping into the St. Hovhannes Mkrtich Church is like entering an art gallery frozen in time. The interior is adorned with frescoes that cover nearly every surface, and their historical significance cannot be overstated. These frescoes represent an unparalleled treasure trove of Armenian art, unrivaled in their richness among late medieval frescoes in the region.
Remarkably, the frescoes reveal at least three distinct layers, created in 1700, 1793, and 1866. The layer from 1700, likely the work of Naghash Hovnatan or one of his apprentices, comprises 23 plot scenes and numerous depictions of saints. In 1793, Astvatatur Astapattsi contributed four additional frescoes, depicting apostles and saints. An unknown artist left their mark in 1866 by painting or repainting several saintly figures, adding to the tapestry of history within the church’s walls.
Meghri Fortress: A Defiant Sentinel
Just a stone’s throw away from the St. Hovhannes Mkrtich Church lies the Meghri Fortress, a testament to Armenia’s medieval defensive prowess. Situated strategically on the northern side of Mets Tagh, this fortress boasts an innovative horseshoe-shaped design that provided impenetrable protection against threats from the northern, western, and eastern directions.
While the exact origins of Meghri Fortress remain shrouded in mystery, historical records point to its existence as early as 1083. The fortress underwent a complete reconstruction in the 18th century, reinforcing its defensive capabilities. Comprising six towers, the fortress stands out for its unique layout – it lacks traditional walls, which are instead replaced by the natural rugged terrain of the surrounding mountains. This innovative design allowed the fortress to withstand the onslaught of Turkish attacks in 1723.
FACTS
❈ St. Hovhannes Mkrtich Church, or the Church of Poqr Tagh, in Mghri, Armenia, transports visitors to the 17th century, with meticulous restoration.
❈ The church’s architectural design showcases the grandeur and symmetry of three-nave basilicas, with a striking 6-column brick belfry.
❈ The church’s interior is an art gallery frozen in time, adorned with frescoes from 1700, 1793, and 1866, revealing a treasure trove of Armenian art.
❈ Meghri Fortress, located nearby, features an innovative horseshoe-shaped design, providing impenetrable defense against threats from various directions.
❈ The fortress’s origins date back to at least 1083, and it underwent reconstruction in the 18th century, with a unique layout that allowed it to withstand Turkish attacks in 1723.
Research history
M. Hasratyan was the first to thoroughly discuss the church architectural examination. The church is completely covered with frescoes on the inside. They were partially restored in the 1980s, but for various reasons the works remained unfinished. Conservation and complete restoration works of murals were carried out in 2017-2019 with the sponsorship of the Protection of Cultural Values of the US Embassy. A. Avetisyan referred to the study of the preserved murals and the completed works.
Archaeological description
Pokr Tagh Church belongs to the type of three-nave basilicas spread throughout Armenia in the Late Middle Ages. The rectangular hall is divided into three naves by two pairs of T-shaped gables. On both sides of the semi-circular altar there are two-story vaulted vaults. A 6-column brick belfry is built in the center of the roof enlivening the dimensional composition of the church built from semi-finished basalt. The frescoes of the church, which cover almost the entire interior surface, are of great value. There are at least three mural layers, made in 1700, 1793 and 1866. The layer covering the bulk of the church frescoes was probably done by Naghash Hovnatan or one of his students in 1700. All the 23 plot scenes and most of the images of saints belong to this layer. The frescoes, which are four in number (the apostles Paul and Peter, St. Hovhannes the Baptist and St. Stepanos the Archangel), were made by Astvatatur Astapattsi in 1793. Several images of saints were painted or repainted by an unknown artist in 1866.
Meghri fortress has a special place among the Armenian medieval defensive structures due to its design. It is located on the northern side of Mets Tagh in Meghri, on the inaccessible peaks of the mountain ranges, covering the settlement in a horseshoe shape, ensuring its reliable protection from the northern, western and eastern sides. The exact date of the fortress construction is not known. The first historical information is found in the book of historian Stepanos Orbelyan stating that the fort was already built in 1083. It was completely rebuilt in the XVIII century. It consists of 6 towers. The fort is unique among the Armenian fortifications with its layout and structure not having walls (they are replaced by mountain ranges), and due to the possibility of using firearms, the settlement was located at a certain distance. The 6 towers of the fort are of two types in their plans: rectangular and round. The two towers have a rectangular plan, and the other four have a round plan. Both the round and rectangular towers are two-storied and built of rough and raw granite. Due to its defensive features and the possibility of using firearms, the Meghri fortress with Davit Bek’s leadership was able to withstand the Turkish attacks in 1723.
Significance
The frescoes of the church represent a great value for the Armenian art, we cannot find similar structures rich in late medieval frescoes anywhere else in Armenia.
Sources
- Stepanos Orbelyan 1910, History of Sisakan province, Tiflis, N. Aghaniantsi printing house, 619 pages.
- M. Hasratyan, Architectural Complexes of Syunik of the XVII-XVIII centuries, Yerevan, USSR Publishing House, 1973, 162 pages.
- M. Hasratyan, Monuments of Meghri region, Yerevan, Armenia, 1987, 78 pages.
- A. Avetisyan 2020, 2017-2019 mural paintings of St. Hovhannes Mkrtich Church of Meghri small neighborhood. research and restoration works, “Monument yearbook”, JE, pp. 9-29.
List of monuments
Syunik N 9.5/2.20 (church)
Syunik N 8.5.1.2 (castle)
📷 Gallery
- Plan and section of the north-west round tower of Meghri Fortress (Hasratyan 1987, 40).
- Plan and section of the western rectangular tower of Meghri fortress (Hasratyan 1987, 42).
If you require high-resolution images, please don’t hesitate to contact the project team at [email protected].